Thursday, August 08, 2013

Is "Code Name: Verity" An Odd Duck?

Salon has an article about the audio version of Code Name: Verity by Elizabeth Wein. In it author Laura Miller says, "Although published as YA (Young Adult) fiction, it’s a bit of an odd duck in the genre. Its accounts of Nazi torture and death camps are serious and frank (and, it should be added, quite true to the fates of the many brave young people, male and female, who fought for the French Resistance), which will make it too disturbing for some youthful readers. And there’s no dreamy romance, an apparent requirement in YA books for girls these days."

Now, I think an argument could be made that Verity could have been published as adult because the main characters aren't teenagers and aren't living a typical teenage experience. But because the accounts of torture and death camps are too disturbing for youthful readers? Are torture and death camps that different from all the other disturbing material that YA covers--rape, death from disease and accident, and mental illness, for instance?

Miller's comment about the romance requirement--I have heard rumbling about that, but never that the absence of that element is the mark of an adult book.


2 comments:

  1. :(

    "...too disturbing for some youthful readers." Yes. If they're, say, MIDDLE GRADERS, which is not the age to which the novel is marketed.

    :sigh:

    Do people sit around and say, "Wow, there's romance in here, must be a book for teens?" Er, no. This is especially ridiculous because the love in this book is a friendship so deep and so strong that -- well, it's beyond a dreamy romance, so it can't be for teens?

    Wow. Way to both disrespect the author AND teens AND romance AND young people in wartime. And friendship.

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  2. It's not unusual to see essays at Salon (and other publications that don't specialize in children's lit) that praise one YA/children's book while dissing the whole genre. I can only speculate about what's going on there, so perhaps it would be best if I remain silent on the subject.

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