Monday, March 11, 2019

Brazen Women For Women's History Month

I received a copy of Brazen, Rebel Ladies Who Rocked the World by Penelope Bagieu at the Gauthier Christmas gift swap, which, last year, was an Icelandic book and chocolate swap. You know,
because Icelanders give books for Christmas Eve and then spend the evening reading and eating chocolate. Beats pajamas for Christmas, doesn't it? Women's History Month seems like a good time to post about it.

Brazen is graphic nonfiction, a collection of pieces on a wide array of women, some better known than others. I definitely liked it, though it raised a few questions for me.

The Questions

  • How should graphic nonfiction work? With graphic novels, the graphics carry plot and setting. Creative nonfiction may have plot elements, but not all nonfiction does. As a reader, what should I expect from graphic nonfiction?
  • Why is Brazen considered YA? The women covered are not necessarily teenagers and the material on them sometimes goes into old age. What is it about Brazen that makes it YA instead of adult graphic nonfiction that YAs can read the way they can read so many other types of adult nonfiction.?
  • And what is YA nonfiction, anyway? Many teenagers are ready for adult nonfiction and in terms of their schooling are probably expected to read it. What should writers writing YA nonfiction being doing that that they wouldn't do if they were writing nonfiction for adults?


No Answers

My quick and superficial hunt for answers to the above questions didn't provide me with much information. What I found tended to focus on what's available in YA nonfiction rather than what YA nonfiction is.

Kelly Jensen did an interesting piece at Book Riot a couple of years ago called Where's the Love for Nonfiction for Young Readers?  She describes Quiet Power, a YA version of Susan Cain's Quiet, about introversion versus extroversion. I'd never heard of Quiet Power, though I've read Quiet. Quiet Power sounds significantly different, very directed toward YA readers. An example of YA nonfiction?

But a lot of writing on nonfiction for young readers gets murky because journalists often pool middle grade and YA readers together. So the differences in the audience and how writing for them should be done isn't considered or addressed.

It looks as if everything Brazen made me think about is just going to sort of fester in my mind. And, oddly, what it made me think about was writing, not women. A classic example of Gail totally missing the point.

Check out this Washington Post article on Brazen that describes the storytelling and graphic aspects of the book.

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