Tuesday, September 21, 2021

Time Management Tuesday: What To Do? What To Do? Decision-making.

Over the years, I've done a couple of posts on decision-making, because decision-making takes time. In 2012, it was about making decisions related to concrete things you can hold in  your hand, so we can try to keep ourselves from becoming overwhelmed with...ah...concrete things. Overwhelm takes up time, too.  In 2015, I discussed making decisions about what tasks we're going to do

This second kind of decision making is particularly important. What we spend our time on involves risk. Just because we're doing something doesn't mean we're going to be successful with it. Say we can't do both Task A and Task B, so we choose to do A. But we don't get the result we were hoping for from it. What would have happened if we'd chosen Task B?

This topic is coming up for me again, because I've had to make some work decisions.

Real Life Work Decision 1

As I said in a post on Sunday, I am giving up the monthly childlit book release posts I've been doing for nearly a year and a half. I got more action at my blog as a result of doing those posts and an increase in Twitter followers, almost entirely because I've promoted those blog posts on Twitter. But I haven't been able to do other kinds of blog writing, because the book release posts--and promoting them--is so time consuming. And my fiction and essay writing has suffered, too.

Decision Made! After a couple of months on the fence, I finally decided to let the monthly book release posts go, so I can spend more time on other things. This is a feel good decision. I'm already working on a Time Management Tuesday post (yes, this one) for the first time in many months.

Real Life Work Decision 2

I was planning to spend October and November working on the YA mystery I've been talking about here for, what? Years? Then December I was going to take part in a flash writing program I did last year. All was good. I was looking forward to this.

Then I learned last week that Medium, where I have been publishing humor and essays this past year, will be changing its partnership program at the end of 2021. I presently have 41 followers on Medium. If I can't bump the figure up to 100 by December 31, I'll be dropped from said partnership program. One way to increase my followers would be to spend time writing and publishing more material on Medium and promoting it. The wider you spread your net, the more people see you and become interested.

Now, being dropped from the partnership program is not a major loss. All the partnership program does is allow writers to get paid a small amount when dues-paying Medium members read their work there. I have never made more than $5 a month through Medium, and usually much less. If I'm dropped from the partnership program, I can continue to publish on Medium, I'll just have no potential for payment. However, if I continue publishing there, without payment, and bring my followers up to 100, I can then reapply for the partnership program and presumably get back in and get paid for future work.  One of my initial goals for publishing at Medium was to develop a reputation/following as a short form writer. I don't need the tiny partnership program income to do that.

There is a bit of an ego bruising involved with getting dropped from anything, though.

So I could spend the next three months hustling to try to, maybe, collect enough followers to stay with a program where I'm making very little money, anyway. Or I can stick with my plan to get closer to finishing a book that I can then revise and submit to a multitude of agents who have rejected my other work. Yeah, six of one, half a dozen of another.

Struggling With A Decision. In the 2015 decision-making blog post I mentioned earlier, I refer to a group that advised determining which of the tasks you have to choose among will give you the biggest payoff. I felt that goals and objectives could help with working that out. 

This year, I have two goals that apply here:

  • Finish a draft of YA thriller that could become an adult thriller. It has a name this year, 143 Canterbury Road
  • Work on short-form writing, essays and short stories.   

Decision Made! I didn't find that helpful, at first. Then I realized, something is missing from that short-form writing goal. And that's publishing at Medium. That was never a goal for this year.

I've got over a week before the beginning of October. I've got another piece just about ready to publish at Medium, myself, not through one of the publications there. I'll take care of that before the end of the month. Then I'll lean hard on the YA manuscript in October and November, as I planned. December I'm doing flash, as I planned. I may be able to work some of those pieces, or some of the pieces from last year, into a Medium essay or humor submission to use before the end of the year.

If some kind of surge of interest in my work occurs on Medium this year, good for Gail. If not, meeting the new criteria for the Medium partnership program will become a goal for next year. 

I just want to say that writing this blog post was hugely helpful in making this decision. 

And, also, yes, that is a new Time Management Tuesday logo we're experimenting with.

Sunday, September 19, 2021

September Childlit Book Releases

This is it folks, my last monthly children's book release post. Enjoy it!

I began doing these at the beginning of the pandemic to support authors publishing books in an environment in which they couldn't do traditional in-person promotion. Now we have a robust virtual author appearance system, and on-site author appearances are slowly coming back. While these book round-ups have been good for my blog in terms of bringing visitors here, and I've gained new Twitter followers while doing them, creating them is hugely time consuming. And then there's promoting the post on Twitter afterwards. All of this has kept me from doing other types of blogging and even cut into my overall writing time.

So, the situation has changed, thus it's time for me to change what I'm doing.

Oh, and for the last time--these are just the September book releases I stumbled upon on social media. Many more books were published this month.

Sept. 7 The Midnight Brigade, Adam Borba  






Sept. 7, Born Behind Bars, Padma Venkatraman






Sept. 7 When Langston Dances, Kaija Lanley, Keith Mallett illustrations






Sept. 7 Fairy Tale Science, Sarah Albee, Bill Robinson illustrations 






Sept. 7 Willodeen, Katherine Applegate 







Sept. 7 Robo-Motion: Robots That Move Like Animals, Linda Zajac






Sept. 7 Norman Didn't Do It! (Yes he did), Ryan T. Higgins 







Sept. 7 A Touch of Ruckus, Ash Van Otterloo






Sept. 7 Lights Day and Night: The Science of How Light Works, Susan Hughes, Ellen Rooney






Sept. 7 Animal Architects, Amy Cherrix, Chris Sasaki illustrations





Sept. 7 Defending Champ, Mike Lupica 






Sept. 14 Niki Nakayama, A Chef's Tale In 13 Bites, Debbi Michiko Florence and Jamie MichalakYuko Jones illustrations 




Sept. 14 The Secret Code Inside You: All About Your DNA, Rajani LaRocca, Steven Salerno illustrations 







Sept. 14 How to Win a Slime War, Mae Respicio






Sept. 14 A Soft Place to Land, Janae Marks 






Sept. 14 The Last Kids on Earth and the Doomsday Race, Max Brallier 






Sept. 14 As Babies Dream, Leslea Newman 






Sept. 15 We Want Snow, Jamie A. Swenson, Emilie Boon illustrations






Sept. 21 For Every Little Thing, June Cotner and Nancy Tupper Ling, editors, Helen Cann illustrations






Sept. 21 Battle Dragons: City of Thieves, Alex London






Sept. 21 Cuba in my Pocket, Adrianna Cuevas 







Sept. 21 The Wolf's Curse, Jessica Vitalis






Sept. 21 The Samosa Rebellion, Shanthi Sekaran 






Sept. 28 Pony, R. J. Palacio






Sept. 28 Barb the Last Berserker, Dan Abdo and Jason Patterson







Sept. 28 Beasts of Prey, Ayana Gray






Sept. 28 It's OK, Slow Lizard, Yeorim YoonJian Kim illustrations, Chi-Young Kim translator

Friday, September 17, 2021

National Book Awards Longlist For Young People's Literature

The National Book Foundation has announced the longlist for the 2021 National Book Award for Young People's Literature. The finalists will be announced on October 5.

I like longlists. They provide an opportunity to call attention to a number of books.

Safia Elhillo, Home Is Not a Country

Shing Yin Khor, The Legend of Auntie Po

Darcie Little Badger, A Snake Falls to Earth

Malinda Lo, Last Night at the Telegraph Club

Kyle Lukoff, Too Bright to See

Kekla Magoon, Revolution in Our Time: The Black Panther Party’s Promise to the People

Amber McBride, Me (Moth)

Anna-Marie McLemore, The Mirror Season

Carole Boston Weatherford; illustrations by Floyd Cooper, Unspeakable: The Tulsa Race Massacre

Paula Yoo, From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trail that Galvanized the Asian American Movement

Tuesday, September 07, 2021

In-person Author Appearances Coming Back To Connecticut

In-person childlit author appearances are slowly coming back in a number of places. Here are a couple of interesting ones here in Connecticut, because they're outdoors.

Sept. 10 and 11 Children's writers are among the authors featured at the River Bend Bookshop Author Stage, Glastonbury. 

Part of the Arts on the Green Art and Craft Show.  





Sept. 26 Linda Zajac, Hartmann's Pavillion, Henry Park, Vernon 2-5

I think I heard there's going to be cake at this one, but I'm not sure.

Linda Zajac is another one of my writers' group colleagues who has done well.

Friday, September 03, 2021

Some Virtual Opportunities For September

Well, I thought I was going to see a decline in virtual author events at this point in time, but that is not the case. Check out, for instance, the large number of events sponsored by Books of Wonder in New York City, Brave + Kind Bookshop in Decatur, Georgia, and Brookline Booksmith in Brookline, Massachusetts this month. I didn't find out about those hot spots, or at least how extensive their programming is, until after posting when I had limited time to make additions to this post. 

As usual, the following list may be changing over the next few weeks. I tweet about each event on Twitter, so you can follow me there, if you'd like to keep up with any changes.

Sept. 7 Katherine Applegate and John Schu, Brookline Booksmith, Brookline, Massachusetts 6:00 PM ET

Sept. 7 Sarah Albee, R.J. Julia Booksellers, Madison, Connecticut 6:30 PM ET

Sept. 8 Michael Ian Black and Debbie Redpath Ohi, An Unlikely Story, Plainville, Massachusetts 7:00 PM ET

Sept. 9 Ryan T. Higgins, Brookline Booksmith, Brookline, Massachusetts 5:00 PM ET 

Sept. 9 Ash Van Otterloo,  Kim Ventrella, Lorien Lawrence, Adrianna Cuevas, and Josh Allen, An Unlikely Story, Plainville, Massachusetts 7:00 PM ET 

Sept. 9 Kara Thomas, Courtney Summers, & Jessica Goodman, Brave +  Kind Bookshop, Decatur, Georgia 7:00 PM ET

Sept. 9 Yuyi Morales, R. J. Julia Booksellers, Madison, Connecticut 6:00 PM ET

Sept. 10 Kaija Langley and Jacqueline Woodson, Porter Square Books, Cambridge, Massachusetts 7:00 PM ET

Sept. 11 Rajani LaRocca and Melissa Stewart, Porter Square Books, Cambridge, Massachusetts 4:00 PM ET

Sept. 14 Janae Marks and Lisa Moore Ramae, R. J. Julia Booksellers, Madison, Connecticut 7:00 PM ET 

Sept. 14 Max Brallier, Blue Willow Bookshop, Houston, Texas  5:00 PM CT

Sept. 14 Amy Cherrix & Stacy McAnulty, Malaprop's Bookstore, Asheville, North Carolina 6:00 PM ET

Sept. 19 Tanita Davis & Janae Marks, Books of Wonder, New York, New York 1:00 PM ET

Sept. 21 Jessica Vitalis & Erin Entrada Kelly, Talking Leaves...Books, Buffalo, New York 7:00 PM ET

Sept. 21 Shelli R. Johannes & Maddie Frost, R. J. Julia Booksellers, Madison, Connecticut 5:00 PM ET 

Sept. 21 Alex London, Blue Willow Bookshop, Houston, Texas 5:00 PM CT

Sept. 21 Tanita Davis, Shanthi Sekaran, Saadia Faruqui, Brave +  Kind Bookshop, Decatur, Georgia 7:00 PM ET

Sept. 22 J. Albert Mann, Emma Kress, Crystal Maldonado, and Pamela N. Harris, R. J. Julia Booksellers, Madison, Connecticut 7:00 PM ET

Sept 26 Kaija Langley, Brookline Booksmith, Brookline, Massachusetts 10:30 AM ET

Sept. 28 Dan Abdo & Jason Patterson, An Unlikely Story, Plainville, Massachusetts 7:00 PM ET 

Sept. 28 Nancy Tupper Ling and Janet Costa Bates, Blue Bunny Bookstore, Dedham, Massachusetts  7:00 PM ET

Sept. 28 Schele Williams and Tonya Engel, R. J. Julia Booksellers, Madison, Connecticut 7:00 PM ET

Sept. 28 Brian Selznick, River Bend Bookshop, Glastonbury, Connecticut 7:00 PM ET

Sept. 30 Amy Timberlake & Adam Rex, R. J. Julia Booksellers, Madison, Connecticut 6:30 PM ET

Sept. 30 R. J. Palacio & Josh Radnor, R. J. Julia Booksellers, Madison, Connecticut 8:00 PM ET

Wednesday, September 01, 2021

Where Are The Blustering Dads In Childlit?

I recently finished reading Priestdaddy, Patricia Lockwood's memoir about her experience growing up with a father who is a Catholic priest. If you want to find out how that happened, read the book, which
is very good. Lockwood is a poet with a sense of humor. It makes a great combination. Plus, she grew up in an unusual situation, so she provides us with something unique to read about.

I discovered this book while checking out the Thurber Prize winners. I think there is something Thurberesque about it in a My Life and Hard Times sort of way. Though Lockwood is Thurberesque in her own way. Does anyone even know what Thurberesque means, anymore?

Lockwood's father is complex in the sense that the father at home is extremely over-the-top, shall we say, and dramatically different from what one expects a Catholic Father at work to be. As a family man, he comes across as somewhat self-involved. Since this book is very much about his daughter's experience with him, we don't see that much of him at work in church.

I'm Looking For A Childlit Connection

Well into the book, Lockwood writes about bluster in relation to her father.

"I recognize this as bluster, because my father is a blusterer. If you have a blusterer in your house, you must treat him as the weather, capable of gathering himself in a second and storming...This is more a feature of fathers, I have found."

Early on while reading Priestdaddy I was reminded of Sh*t My Dad Says by Justin Halpern, another memoirish story of an over-the-top dad who works in the kind of job (medicine) where one expects something else. Then I recalled what might be the granddaddy of blustering dad books, Cheaper by the Dozen, by Frank B. Gilbreth Jr and Ernestine Gilbreth Carey. This book revolves around Frank and Lillian Gilbreth who had twelve children in the early twentieth century while both worked as management consultants/industrial engineers. The book features another over-the-top father, so much so that few readers realize that Lillian, his wife and the mother of his many, many children, is far more significant historically as a pioneering professional woman in management and engineering. In both Sh*t My Dad Says and Cheaper by the Dozen the blustering fathers are portrayed in a more obviously positive way than in Priestdaddy.

So I'm thinking the blustering dad is a thing, at least in adult memoir.

But Do Blustering Dads Exist In Children's Books?

Off the top of my head, I can't think of any blustering dad stories in children's books. Of course, you don't get a lot of memoir in children's literature, and that's where I recall seeing this kind of father portrayed in adult books.

But why not use this character in fiction?

One reason may be that children's fiction is very problem oriented and not situation oriented, which is something that is more common in adult memoir. Therefore, fathers are often absent in contemporary children's fiction in order to create a problem for child characters to deal with. Or there is something dangerous or tragic about father characters, again to create a problem for child characters to overcome. Examples would be two middle grade novels I read recently, 365 Days to Alaska, in which the father is irresponsible and absent, and All You Knead is Love, in which the dangerous father never even appears. 

A second reason may be that with adult memoir with blustering fathers authors have grown up and away from their childhood and now recognize the blusterer in their lives as a blusterer rather than something else. With children's fiction, the main characters are children who probably shouldn't have the maturity (because they are supposed to be children) to recognize a benign or even loving blusterer versus someone who is loud and demanding or negative in some way.

Nonetheless, it would be interesting to see a children's book with a blustering dad. Or how about a blustering mom? Now that I think of it, I have an unsold middle grade manuscript with a blustering older brother.

Saturday, August 28, 2021

The Weekend Writer: "My goal is to do well enough that my publisher wants to publish my next book."

I've been saving this interview with Elinor Lipman at Jane Friedman's website, because I think she says  some good things about writing humor and dialogue. 

I realized just a few days ago that I really don't enjoy reading interviews with, and writing articles by, authors I'm not familiar with. So I should probably say here that I've read a couple of Lipman's books and particularly liked The Inn at Lake Devine, which for some reason I thought must have been set on a lake near where I grew up. 

Something that struck me in this interview was what Lipman said about her publishing goal. "My goal is to do well enough that my publisher wants to publish my next book." That was my publishing goal, too! I really didn't care about how much money I made. I cared about a publisher for the next book.

One of the things you have to accept about goals is that you're not going to meet all of them.


Wednesday, August 25, 2021

I Had A #BreadLoaf2021 Experience. Sort Of.

I stumbled upon a tweet last week that tipped me off that the Bread Loaf Writers' Conference was under way. It was on-line this year, as, I believe, a workshop series, for obvious reasons. I'd heard that for a few years now the Conference was offering lectures that were open to the public. And guess what? Those were on-line, too! In fact, for $25 a pop I could watch recordings of ones I'd missed. Which ended up being all of them, because we were getting toward the end of the second week of the Conference. 

Swimming at Falls of Lana between shifts

My History With Bread Loaf

My rabid followers are aware that I'm not a major fan of conferences, so why would I care about this one? Well, back in my college days, I spent three summers working in the Bread Loaf kitchen, during the English graduate school and the writers' conference. I was the Pastry Assistant, as I always put it, because even then I didn't allow anyone to call me girl, so I refused to use the official Pastry Girl title. It was a great time, particularly the first summer, what I imagine going to summer camp is like. If you actually like summer camp.

My time at Bread Loaf probably is what ruined me for writers' conferences, not because the Bread Loaf Conference is so superior to all others, but because, as I explain in My Bread Loaf, I now expect writers' conferences to be fun in a 'let's go hiking and swimming and crashing events' sort of way. And in my experience, they just aren't. Ya just have to accept that there's not going to be any of that. 

My #BreadLoaf2021

Empty class building

In an odd twist of fate, I learned that the Conference was happening just a few days before I was going to Middlebury, Vermont, which is sort of at the foot of the mountain Bread Loaf is on. I had no plans for going up to the Bread Loaf campus, but while we were in Middlebury last Saturday we had a few hours between a 4-mile walk downtown and a family dinner in the evening, and my husband was sure he'd be bored if he had to spend all that time in our hotel room. So we drove up to Ripton, the mountain town where Bread Loaf is located.

Empty inn
The campus was absolutely empty, though it was supposedly the last day of the Conference, because, remember, it was on-line. So that means that of all the people involved with this year's Conference, I may be the only person who was actually there on-site. For a three- or four-minute drive-thru.

Just What Was Your Bread Loaf Involvement, Gail?


Okay, you will recall that I mentioned in the first paragraph that the Conference offers lectures that are open to the public. That was foreshadowing, folks! Because on Monday, the day after I raced Hurricane Henri home, only to have him turn up his nose at Connecticut, I enjoyed one of those lectures out in my sun room surrounded by what may be described as leftover rain. 

I watched Dean Bakopoulus's Creatures of Impulse: What Fiction Writers Can Learn From TV, because, well, TV, right? It was a very decent presentation that functioned on two levels--one dealing with how fiction writers could use techniques from TV writing and the other dealing with his life during the pandemic. I thought I'd heard as much as I'd ever want to about what people were doing during the pandemic, but I was wrong. If I had been Dean last Thanksgiving, I would have roasted a turkey, too. 
Also, I now have a reading list, which makes me feel very intellectually stimulated.

Wait staff. Dean isn't there.

Bakopoulus was the perfect Bread Loaf speaker for me. First, well, TV, right? But, second, he had been at Bread Loaf years ago as a conference attendant who was working as a waiter. That means that sometimes he was in the kitchen! Like me! And this year was his first time back at Bread Loaf, and he was an instructor. And this year was my first time back at Bread Loaf, and I was a watcher of an instructor's lecture. So that was sort of the same, too.

Of course, Bakopoulus was at Bread Loaf well after I was. (Notice I say 'well' after and not 'long' after. There is a subtle difference. A little usage lesson for you.) And the waitstaff was considered a step up from the kitchen staff, though they had to pay to be there while we were paid to be there, and they were presumably working all the time while we most definitely were not. (Here's another opportunity to check out My Bread Loaf, if you didn't take advantage of the one I gave you earlier.)

After I started publishing, I sometimes thought about applying to the Bread Loaf Conference, just to see if I could get accepted. It would have been a way of feeling I had made it. I didn't really want to go. The thing lasts two weeks. I prefer my professional development along the lines of three hours.

Or, better yet, one hour, like the lecture I watched on Monday.

Monday, August 23, 2021

August Childlit Book Releases

I know there are more August book releases that I haven't included here (check out Ms. Yingling Reads for some), but I am burned out on book round-ups. So here's what I've got for you.

Aug. 3 Mercury Boys, Chandra Prasad







Aug. 3 Usha and the Big Digger, Amitha Jagannath Knight






Aug. 3 Paola Santiago and the Forest of Nightmares, Tehlor Kay Mejia







Aug. 3 Like Other Girls, Britta Lunkin 






Aug. 3 The Wild Ones, Nafiza Azad







Aug. 3 A Song of Frutas, Margarita Engle, Sara Palacios illustrations 






Aug. 3 Wish Upon a Stray, Yamile Saied Mendez






Aug. 3 Erik vs. Everything, Christina Uss






Aug. 3 Just Be Cool, Jenna Sakai, Debbi Michiko Florence







Aug. 3 Black Boy Joy, Kwame Mbalia, editor






Aug. 3 Stowaway, John David Anderson 







Aug. 10 How Moon Fuentez Fell in Love with the Universe, Raquel Vasquez Gilliland






Aug. 10 Anteaters, Bats, and Boas, Roxie Munro 







Aug. 10 Be StrongPat Zietlow Miller, Jen Hill illustrations 






Aug. 10 The Fastest Girl on Earth! Dean Robbins, Elizabeth Baddeley illustrations 





Aug. 10 Poultrygeist, Eric Geron, Pete Oswald illustration






Aug. 10 Harmony Humbolt, Jenna Grodzicki, Mirka Hokkanen illustrations

Aug. 10 The Story of Princess Diana, Jenna Grodzicki






Aug. 15 Moon Pops, Heena Baek, Jieun Kiaer translator






Aug. 17 Child of the Flower-Song People, Gloria Amescua, Duncan Tonatiuh illustrations






Aug. 17 The Many Meanings of Meilan, Andrea Yang







Aug. 24 The Little Wooden Robot and the Log Princess, Tom Gauld 






Aug. 24 Eyes of the Forest, April Henry

Aug. 31 The Great Stink, Colleen Paef, Nancy Carpenter illustrations


Aug. 31 Negative Cat, Sophie Blackall






Aug. 31 Survivor Tree, Marcie Colleen, Aaron Becker