I dropped the new issues of the
SCBWI Bulletin and
The Horn Book into the tub last week. Yeah, that's into a tub that had water in it. I managed to pull the pages apart enough so I could finish reading them, and the magazines have been sitting on the edge of the tub, all dried, hard, and wrinkled, ever since. Though the method of communication is the worse for wear, the content being communicated is still meaningful.
One of
The Horn Book's articles I want to hold back and talk about in November, when I'm planning to focus on picture books more than I usually do because of
Picture Book Month. Among the reviews I noticed was one for
The Waffler by
Gail Donovan, which I mention because Gail was one of the first people I met through NESCBWI. I saw another for the first in a new series,
Lockwood & Co., by Jonathan Stroud, author of the
Bartimaeus books, a definite favorite of mine.
Lockwood & Co is described in
The Horn Book as "part procedural," which I like and "part ghost story," which I don't. The procedural aspect and the Bartimaeus connection are enough to get me to give this book a try. Three of the books on the longlist for the
2013 National Book Award were also reviewed in this issue:
Flora & Ulysses: The Illuminated Adventures by Kate DiCamillo,
The Real Boy by Anne Ursu, and
Boxers and Saints by Gene Luen Yang.
My favorite article in the
SCBWI Bulletin was The Ins and Outs of Write-ins by
Wendy Henrichs and Colleen Kelly. A write-in is a gathering at which writers write. They are there to work. Write-ins don't take time away from writing the way critique groups do. Why gather to write instead of writing alone? I'm assuming lunch or breakfast could be involved.
Both publications carried an article on
The ABC of It: Why Children's Books Matter, an exhibition at the New York Public Library.
The Horn Book article was written by
Leonard S. Marcus who curated the exhibit and happens to be my favorite children's book historian. Or maybe my favorite literary historian, period.