Sunday, November 30, 2014

December Connecticut Children's Literature Calendar


Connecticut author Martha Seif Simpson is in several venues this month with her seasonal book, The Dreidel That Wouldn't Spin. Speaking of seasonal, Christmas appears to have chopped off appearances for the second part of December.

Wed., Dec. 3, Michaela MacColl, Barnes & Noble, Westport 3:30 PM

Wed., Dec. 3, Christine Pakkala, Barnes & Noble, Westport 6:30 PM

Thurs, Dec. 4, Martha Seif Simpson,  Temple Beth Sholom, Hamden 7 to 8 PM Signing with proceeds to benefit TBS Sisterhood

Fri., Dec. 5, Martha Seif Simpson,  Wilton Library, Wilton 4:30-5:15 pm Storytime for ages 4 and up, followed by a book signing. Town's annual Holiday Stroll follows

Sat., Dec. 6, Martha Seif Simpson, Stratford Library, Stratford 10:30 AM Storytime and signing

Sun., Dec. 7, Andrea West, Bank Square Books, Mystic 2 to 4 PM

Sun., Dec., 7, Martha Seif Simpson, Greater New Haven Jewish Community Center Arts & Crafts Fair, Woodbridge 10 AM to 4 PM Book program at 11:30, book sale during rest of event
 
Sun., Dec. 7, Peter Sis, Pequot Library, Southport, 4 to 6 PM

Sun., Dec. 7, Patricia Dunn, New Canaan Library, New Canaan 2 PM

Wed., Dec. 10, Robie Harris, R. J. Julia Booksellers, Madison 4 PM

Wed., Dec. 10, Jarrett J. Krosoczka, Barnes & Noble, Canton 5 PM
Mon., Dec. 15, Martha Seif Simpson, Barnes & Noble, Milford 6:30 PM Proceeds to benefit Jonathan Law High School.

Wednesday, November 26, 2014

A Lot Further Down The Romance Road

Back in 2012, I found Daughter of Smoke and Bone by Laini Taylor to be both romance and fantasy, two genres I'm not fond of in and of themselves. I need something more in those genres, such as a strong character, or, in the case of Daughter of Smoke and Bone, a mystery. Who was the main character, Karou? Why was the guy with the wings always hanging around her? There was a journey thing going on, as Karou discovered who and what she was. I can't find a post on Days of Blood and Starlight, the second book in the trilogy, but I recall feeling it was a connector, which second books in trilogies often are.

Dreams of Gods and Monsters, the last book in the trilogy, is more clearly a romance. There's various other things going on, but the real significant storyline here is all about Karou and Akiva. Their eyes meet across a crowd. There are many paragraphs about kissing. Lots of relationship stuff. There are teases for the reader, too. Will they kiss? Someone shows up at the cave opening and No! The kiss is off! Will they get together for some real hot and heavy stuff? Oh, they're getting closer...closer...No! Akiva has disappeared!

You can probably tell I'm not that keen on Karou and Akiva anymore. No, Liraz was my big interest in this book. I won't tell you who she gets together with because that's the best surprise.

The Significance Of Romance And Marketing "Gods And Monsters"

 

I happened to read A Billion-dollar Affair in the Oct. 24 issue of Entertainment Weekly while I was reading Dreams of Gods and Monsters. Sales of romance are huge, there's an enormous market. At the same time, though, author Karen Valby says the "long-ridiculed" genre is "dismissed by the critical mass." As a result, I started wondering how Dreams of Gods and Monsters is being marketed. Is it being promoted as a fantasy or paranormal romance, which could bring it to a large and appreciative audience? Or is it being marketed as something else, perhaps to avoid the romance label?

In a USA Today interview, Taylor talks about working on a short story for a romance anthology, so she thinks of romance as a genre she works within, at least some of the time
. I think there is a romance thing going on in the publisher's marketing of the book, but it's subtle. The publisher's copy at its website includes the line "They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love." There's also talk of various beings fighting, striving, loving, and dying.

Wait. I just realized. My romance reading is limited to historical mysteries with couple characters. I don't read advertising copy for romance novels. "They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love" may be exactly how a romance novel is marketed.

Dreams of Gods and Monsters is a Cybils nominee in the Young Adult Speculative Fiction category.
From the streets of Rome to the caves of the Kirin and beyond, humans, chimaera, and seraphim will fight, strive, love, and die in an epic theater that transcends good and evil, right and wrong, friend and enemy. - See more at: http://www.hachettebookgroup.com/titles/laini-taylor/dreams-of-gods-monsters/9780316134071/#desc
They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love. - See more at: http://www.hachettebookgroup.com/titles/laini-taylor/dreams-of-gods-monsters/9780316134071/#desc
They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love. - See more at: http://www.hachettebookgroup.com/titles/laini-taylor/dreams-of-gods-monsters/9780316134071/#desc
They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love. - See more at: http://www.hachettebookgroup.com/titles/laini-taylor/dreams-of-gods-monsters/9780316134071/#desc
They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love. - See more at: http://www.hachettebookgroup.com/titles/laini-taylor/dreams-of-gods-monsters/9780316134071/#desc
They begin to hope that it might forge a way forward for their people. And, perhaps, for themselves--maybe even toward love. - See more at: http://www.hachettebookgroup.com/titles/laini-taylor/dreams-of-gods-monsters/9780316134071/#desc

Tuesday, November 25, 2014

Time Management Tuesday: The Just Say No Thing

Over scheduling is a classic time suck. It's also a big reason writers have trouble finding time for their work. We commit too many hours to various professional and personal activities. Our time is gone. Sometimes it disappears because we take on too much all by ourselves. Sometimes it goes because we're asked for it and say, "Sure."

Christine Carter has a blog post, 21 Ways to "Give Good No", at Greater Good in which she deals with this issue. I wasn't so interested in the "21Ways" that appear in Part Two of the post. Parts One and Three were another thing.

Plan How Much Time You Can Take Away From Work


In Part One of her article, Carter says it's easier to say no "when we have a concrete reason for doing so—a way to justify our refusal." "...we need to create the reason for saying no before we need it—we need a decision making structure, or “rules” to guide us so that we don’t have to agonize over every invitation." She talks about planning ahead for how many social invitations you can accept during the course of the week, then saying no to the rest. Also plan when you're going to work and say no to any requests that will conflict with your work time.

I've written here about writers working for free and being asked to work for free. If you want to be able to support some organizations with free work or appearances, you can plan ahead for how much of your time you can afford to give away. When you've reached your limit, say no to additional requests.

Your Decision Is Made. Move On.


In Part Three, Carter says, essentially, say no and stop thinking about it. "...when we make a decision in a way that allows us to change our minds later, we tend to be a lot less happy with the decisions that we make." Perhaps because the decision isn't really made if we can make a different one down the line? Forget about being happy with a decision. If the door is left open, the decision is still hanging over you, is it not? How time consuming and energy depleting is that?

So make your plan so you can make a decision. And when you've made a decision, get back to work.
 

Monday, November 24, 2014

More On Children's Lit People Working For Free

Freelancing for Free? by John Shelly at Shelly Scraps. This time we're talking illustration.

Little Too Traditional Fantasy For Me

I've probably bored people to death with how much I liked Diana Wynne Jones's Chrestomanci books. I liked Howl's Moving Castle for Howl. Mystical, changing buildings aren't much of a draw for me. I wasn't as enthusiastic about other Jones' books. I've had the same experience reading Terry Pratchett. Some I liked a great deal, some not so much. I think when writers have a big output, the way Jones and Pratchett do, there's going to be some up and down. Even if the quality doesn't vary, when there's a lot of work dealing with different characters and situations, readers' taste/commitment is going to be greater for some characters/situations than others.

That's how I felt about The Islands of Chaldea, the last book Jones was working on when she died. There wasn't a stand out character like Howl or Christopher Chant/Chrestomanci, though I think that if Jones had had all the time in the world, Aunt Beck or the captive prince she loved from afar might have become one. But they are both adult characters. I found Aileen, the child/teen main character, not very strong, though she does come through at the end. That may be a significant aspect of children's fantasy books, that the child protagonist transitions through the magic, the way real life children transition through adolescence. But my knowledge of fantasy isn't deep enough to know if that's the case or if I just made that up this minute.

I think you really have to enjoy magic to enjoy The Islands of Chaldea, and there are going to be young people who do and will. For me, though, the best part of the book is an author's note at the end in which author and actress Ursula Jones describes her efforts to finish her sister's book after Diana Wynne Jones's death.

The Islands of Chaldea is a Cybils nominee in the Elementary/Middle Grade Speculative Fiction Category.


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Sunday, November 23, 2014

Sunday Sentence

"Writing is about finding out who you are, what you have to say that is not the same as what everyone else has to say, and how to express it in the strongest possible terms."  The Point of Writing by Meg Rosoff at Writer Unboxed.

Friday, November 21, 2014

Promo Friday: On-line Holiday Book Fair Next Weekend

The 10-Minute Novelist writers' community will be running a Holiday Book Fair on Facebook starting November 28th, Black Friday. Dozens of authors are scheduled to take part, posting sales links to their books, organized in seventeen categories. I'll be there with Saving the Planet and perhaps one or more of my other eBooks.

The sale starts November 28th and runs through Wednesday, December 3.

Thursday, November 20, 2014

Environmental Book Club

The Green Earth Book Awards were announced in September.  The Nature Generation has been sponsoring them for ten years. This year's winners:


Picture Book: The Eye of the Whale by Jennifer O'Connell








Children's Fiction: The True Blue Scouts of Sugar Man Swamp by Kathi Appelt










Young Adult Fiction: Washashore by Suzanne Goldsmith





 





Children's Nonfiction: A Place for Turtles by Melissa Stewart with illustrations by Higgins Bond




     





Young Adult Nonfiction: Inside a Bald Eagle's Nest: A Photographic Journey Through the American Bald Eagle Nesting Season by Teena Ruark Gorrow and Craig A. Koppie







Honor Books:

Ellie’s Log:  Exploring the Forest Where the Great Tree Fell by Judith L. Li with  illustrations by M.L. Herring

Frog Song by Brenda Guiberson with illustrations by Gennady Spirin

Mousemobile by Prudence Breitrose with illustrations by Stephanie Yue

Parrots Over Puerto Rico by Susan L. Roth and Cindy Trombore with illustrations by Susan L. Roth

The Lord of Opium by Nancy Farmer

The Tapir Scientist:  Saving South America’s Largest Mammal by Sy Montgomery and Nic Bishop



Wednesday, November 19, 2014

Come On. No One Else Gets A "Jane Eyre" Vibe Here?

When I was a teenager, I was a big fan of historical romance. In college, I would read Georgette Heyer during exam weeks to relax. As an adolescent, I really liked that "I hate you, I hate you, I hate you, Well, maybe you're not so bad" storyline in a historical setting. So I picked Cruel Beauty by Rosamund Hodge off the Cybils Young Adult Speculative Fiction nomination list for one reason and one reason only: The main character has been raised to marry and murder a demon who has had control of her country since before she was born but falls for him before she can complete her task. Okay, it was paranormal and not historical, but I was dealing with a speculative fiction list, after all.

Now, though I seem to read a lot of fantasy, it's mainly because a lot of children's and YA books are fantasy. It's not because I'm so fond of it. I don't get excited about fantasy elements, as a general rule.  I'm not crazy about houses that are always changing, for instance, as the one in Cruel Beauty does. I was kind of mystified about who the Kindly Ones were in this book, especially since there seems to be an alternative Greek mythology thing going on here and where do the Kindly Ones fit in? But that didn't matter because the demon was very witty and clever and our protagonist wasn't a particularly nice person, which I like in a heroine.

Yes, Teen Gail would have loved this thing. Cruel Beauty should be on a list of teen vacation reading that is totally inappropriate for school papers. 

But If You Want To Write A School Paper On It, Try Talking About Jane Eyre


However, if someone really wants to sell this as a subject for a high school paper, I think they might be able to do a Jane Eyre comparison. Cruel Beauty is being marketed as a Beauty and the Beast meets Greek mythology tale, but I kept thinking of Jane Eyre.

Jane Eyre was not assigned reading for me when I was a teenager. I read it on my own, as I read a great many things back then. I did not find it particularly memorable, except for the scene where poor Jane sits on the sidelines during an evening event at Mr. Rochester's house. That probably speaks volumes about my adolescence. I didn't become a fan of Jane's until I re-read it in 2003 after reading The Eyre Affair. The Good Reading Fairy had hit it, and I've become a bit of a Jane Eyre groupy, looking for and reading retellings. Cruel Beauty may not be an intentional retelling, but I still think an enterprising student could make a case that would convince a teacher to at least accept a Beauty/Jane Eyre paper.

Jane Eyre is about a prickly young woman who doesn't inspire affection in traditional relationships, such as the one with her aunt. In the course of acquiring what is by the standards of her time a good education, she is not treated very well. She enters a wealthy (wealth is power) man's home as a governess. Said wealthy man is unhappy and bitter over the life he has been forced to live. These two damaged, unromantic people find something in each other.

Cruel Beauty is about a bitter, angry young woman, her father's least favorite child, the one he bartered away to a demon. He provides her with what is by the standards of her world a good education so she can kill the demon he's marrying her off to. The plan will mean her death as well, explaining her bitterness and anger. She enters a powerful male's home as his wife. Said powerful male is amusing and attractive but resigned to a fate he brought upon himself, one we're not aware of for a while. These two damaged, I can't say unromantic because I'm sure we're supposed to think they are, people recognize something in each other.

In Jane Eyre, there's a madwoman in the attic. In Cruel Beauty, there's a little something in one of the house's many rooms.   

Jane and Mr. Rochester's story in Jane Eyre is framed with a beginning piece about Jane's rough youth with her family and boarding school and an ending bit about her suffering after she leaves Rochester. Nyx and Ignifex's story in Cruel Beauty is framed with a beginning piece about Nyx's rough youth with her family and an ending bit about her suffering after she and Ignifex are separated. Some have argued that Mr. Rochester's blindness is a punishment for what he planned for himself and Jane, a punishment that was alleviated when Jane returned to him. A clever high school student could argue that Ignifex was punished for all he had done, a punishment that was alleviated when Nyx returned to him.
 
There you've got it, folks, the beginning of a Cruel Beauty/Jane Eyre English paper.

Wait! There's more! It's kind of a stretch, but if enterprising students wanted to, they could claim there's a bit of a torn-between-two-lovers thing going on in Jane Eyre what with Jane being proposed to by both Mr. Rochester and that creepy minister named St. John. The author of Cruel Beauty does something interesting with the torn-between-two-lovers cliche.

Okay, lads and lasses. You're welcome to this material, but put it into your own words.

Tuesday, November 18, 2014

Time Management Tuesday: Taking Another Shot At Sprinting

I've written about sprinting a couple of times here. Then in the mad rush of life, it sort of drifted out of my consciousness as a regular time management technique.

This weekend, however, I was nursing a mild cold I wanted to get rid of (and pretty much have) and noticed that the 10-Minute Novelists Facebook community I belong to was doing a Saturday sprint event. This was to help NaNoWriMo participants punch up their word counts. Their plan was to sprint at the top of each hour and then do what they had to do on a Saturday until the top of the next one. Then they'd sprint again.

I was lolling around on a couch next to a wood stove with my laptop, anyway, so though I'm not doing NaNoWriMo, I decided to go with it. It was ten minutes before one when I heard about this, so I didn't have a lot of time to prep my mind. So I went to work on blog posts. By the end of the weekend, I had done one for Saturday, Sunday, and Monday.

Now, in hindsight, I believe the other members of the group were doing twenty minute sprints. I only did ten minutes each hour because, well, I was sick and this was a 10-Minute Novelist group. Nonetheless, over the weekend I finished yesterday's somewhat lengthy blog post, which is terrific because I'm killing most of my evenings on blog posts. I'd like to be doing some reading then.

Today (Monday) I had to be away for a chunk of time on family business. I worked in a bit better than ten-minute sprint on this post for Tuesday before I left this morning, and I'm back for another ten minutes (and more, as it turned out) this afternoon.

Now, I wouldn't like to work like this all the time. Of course, I can get a lot more done in forty-five-minute units than in ten or twenty. Twenty- or even ten-minute sprints are a situational time management technique for those days when you're going to be hard put to find forty-five minutes because your work and personal life are out of balance and your personal time is bleeding into your work time. For those people who want to write every day, to encourage their creativity and keep their minds in their projects, as well as make progress on them, sprinting could make it possible.

I'm going to try to pay more attention to sprinting in the weeks ahead, both on Saturdays and Sundays and those weekdays when my personal life is overwhelming my work life. (Next week, for instance, which includes Thanksgiving prep, Thanksgiving, and some overnight guests.) For the immediate future, I'm going to focus on getting ahead on blog posts, trying to free up some evening time for other things. That would be nice. Creating some kind of sprinting work habits would be nice, too.

As usual, at some point I'll let you know how I do with that.