The last few books, including this one, jumped around with points of view. With the other books, I felt that slowed everything. With this one, not so much. I began to feel with this book that when you're using multiple points of view in a book, the book may not be one person's story as much as it is the story of some kind of event in which many people have a point. That was a bit of what was going on here. Instead of being just Valkyrie Cain's story (these books have never really been about Skulduggery Pleasant), The Dying of the Light is the story of how a group of magical folk battle the seemingly unbeatable Darquesse. Valkyrie is a significant part of that, but it's not just her, which is why the point of view switches seemed workable.
Two particularly interesting bits:
- Every now and then, the scene in Dying of the Light switches to what appears to be a totally different story involving an unnamed Irish woman in the U.S., a mortal, and a couple of evil types we know from an earlier book. Oh, and a dog. We're not even sure who the woman is until the end. This is the kind of thing that I would usually become very impatient with. I loved it. Who is she? What's going on here? And when?
- Unlike many fantasy authors, Landy addresses the issue of Christianity. As in, if there is a magical world with gods, as there is in the Skulduggery Pleasant universe (most are insane and Valkyrie has punched one), what about the Judeo-Christian concept of God? I've wondered about that with, say, the Percy Jackson books. If the Greek gods are real, does that mean Baby Jesus isn't? In The Dying of the Light that issue is discussed. "Is there a God?" Valkyrie's mother asks Skulduggery. And her uncle says, "My wife and I go to mass every Sunday...Don't you sit there and tell me there's no God." And Skulduggery doesn't. He just can't tell him that there is.